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Wednesday, January 6, 2021

 

ㄔˋ赤

  1. (literary or poetic) red
    赤字  ―  chìzì  ―  deficit (literally: red figures/numbers)
    赤色的晚霞  ―  chìsè de wǎnxiá  ―  red sunset clouds
  2. loyal
  3. empty
  4. bare; naked
  5. (politics) revolutionary; communist; red
    赤色政權  ―  chìsèzhèngquán  ―  communist regime (literally: red regime)
  6. pure gold
  7. (Teochew) brown

Ideogrammic compound (會意): 大 (“person, big”) + 火 (“fire”) – the colour of fire (a person by a fire).

Etymology

Connected with Proto-Sino-Tibetan *krak (“blood; red”) in the STEDT database, whence Tibetan ཁྲག (khrag, “blood”). Also compare 赫 (OC *qʰraːɡ, “bright red”) and 奭 (OC *hjaɡ, “majestic; red”).

炎帝 Yán Dì 神農 Shennong, "Divine Farmer" or "Divine Husbandman"


五方上帝

In Chinese mythology, the Wufang Shangdi (五方上帝) are considered to be the physical manifestation of the Chinese god and Taoist theistic concept, Tian (天).

In Chinese Mythology, the Wufang Shangdi (五方上帝) are five emperors considered to be the physical manifestation of the Taoist creator deity/theological concept, Tian (天). They’re also referred to as the “five kind faces of Heaven” and can manifest themselves in different forms, including physical humans and celestial constellations.
Each of the Wufang Shangdi is represented by a particular colour: Huangdi (黄帝) is known as the Yellow Emperor, Cangdi (蒼帝) as the Green Emperor, Heidi (黑帝) as the Black Emperor, Chidi (赤帝) as the Red Emperor, and Baidi (白帝) as the White Emperor. Each of them has a dragon that serves as their steed.
The concept of the Five Emperors was very important to early Chinese culture, including philosophy, the understanding about the night sky, and beliefs about the afterlife. The Wufang Shangdi represent the five sacred Chinese mountains, the five most important planets in the solar system, the five directions of space, and the five major constellations that rotate around the North Star.
The Red and Yellow deities are especially important to the Han Chinese, who consider themselves to be the descendants of these two emperors. The Five Emperors serve as an example of how real Chinese emperors were supposed to carry themselves and behave.

Etymology

These mythological rulers are most commonly referred to as Wǔfāng Shàngdì (五方上帝), or “The Five August Emperors.” They’re also sometimes simply called Wǔshén (五神), “The Five Gods,” or Wǔdì (五帝), “The Five Emperors.” Since colours are used to represent the different emperors, they are also identified as Wǔsèdì (五色帝), or “The Five Coloured Deities.” In some texts, the Wufang Shangdi are combined into a single entity known as Tiānhuáng Dàdì (天皇大帝) or “The Supreme God of Heaven.”

Their names individually mean:

  • Huángdì (黄帝)—Comprised of the words for “yellow,” huáng (黃), and “emperor” (帝), the Yellow Emperor is also sometimes called Huángshén Běidǒu (黄神北斗), or “The Yellow God of the Northern Dipper”, also known as the Big Dipper.

  • Cāngdì (蒼帝)—Cang Di’s moniker means “The Green Emperor.” In ancient times, he was also named Qīngdì (青帝), or “The Bluegreen Emperor.” Back then, the words for “blue” and “green” were represented by the same character, qīng (青), so it’s not uncommon to see Cang Di referred to as the “Blue Emperor” occasionally.

  • Hēidì (黑帝)—Dubbed the “The Black Emperor,” Hei Di’s alternative name is Xuánwǔ (玄武), which means “Dark Warrior.”

  • Chìdì (赤帝)—The Red Emperor is Shennong (神农), or “The Farming God.” He is also occasionally referred to as Yándì (炎帝), or “The Fire God,” since flames were an important symbol to the people of the village where he grew up.

  • Báidì (白帝)—The White Emperor is also named Xīdì (西帝), or “The Emperor of the West.”


Attributes

Each of the Wufang Shangdi has distinct characteristics and personalities that set them apart from one another. The only thing that is similar about them is that they all wear imperial robes.

  • Huangdi—The Yellow Emperor can be easily spotted by his characteristic golden-yellow robes. His robes would set the precedent for all later emperors to wear the colour yellow.

  • Cangdi—Cangdi is most often depicted in his animal form, the Azure Dragon. His dragon form plays an important role in the practice of Feng Shui.

  • Heidi—In art, Heidi is characterized by his Black Dragon (his animal form) and the mythical tortoise-snake.

  • Chidi—Chidi is perhaps the most peculiar-looking of the Wufang Shangdi—he’s said to have been born with the head of a bull. He also dresses the most humbly. Chidi prefers to dress himself in robes made out of old foliage.

  • Baidi—Baidi is commonly represented by a pure white dragon, although in art, his presence is sometimes depicted as a tiger.

Family
  • Huangdi—Huangdi’s mother, Fù Bao (附寶), and his father, Shao Dian (少典), live near the modern-day Shandong region of China. Although Shǎo Diǎn was Huangdi’s mother’s husband, he wasn’t really his biological father, since Huangdi was the product of a virginal birth. According to the Guóyǔ (國語), or Discourses of the States, “although Shaodian preceded the Yellow Emperor, he was not his father.” Huangdi is considered to be the primal ancestor of all human beings and a relative to some of the other members of the Wufang Shangdi. His half-brother, for example, is Chidi.

  • Cangdi—Cangdi is married to the Chinese goddess of fertility, Bìxiá (碧霞).

  • Heidi—Heidi is a descendant of Huangdi and is considered to be the purest embodiment of the god, Tian.

  • Chidi—Chidi is the product of the love affair between a beautiful princess and a dragon. This unnamed dragon might have been Huangdi himself.

  • Baidi—In some retellings of his myth, Baidi is the direct progeny of Huangdi. In other versions, Baidi was conceived by Lady Jie (女節) after she saw a rainbow shooting star descend over her island home, making Baidi Huangdi’s grand nephew.

Mythology

The Wufang Shangdi are seen as the physical manifestations of the Taoist energy of the Heavens, also known as Tian (天). Each of the five emperors represents a distinct and different facet of Tian’s personality. Their myths reflect their unique quirks.

Shennong by Guo Xu, 1503

Huangdi, the Yellow Emperor

Huangdi is arguably the most famous and important of the Wufang Shangdi. Huangdi’s mother, Fu Bao, conceived the legendary emperor during a thunderstorm. According to legend, Fu Bao suddenly became pregnant when she went for a walk and a lightning bolt, which originated from the middle of the Big Dipper, appeared out of the sky and impregnated her. Legend has it that she carried Huangdi in her womb for a solid 24 months before giving birth.

During his lifetime, Huangdi was described as a fierce, proud, and noble warrior and even butted heads with his own half-brother, Chidi, due to their differing philosophical opinions. Their clash embodied the concept of Yin and Yang. While neither of the brothers was able to defeat the other, they achieved a sort of semi-peaceful truce between them for the benefit of the people over which they ruled.

While Chidi, or Shennong, is the deity credited with helping humanity adopt a non-nomadic, agrarian lifestyle, Huangdi is the one who civilized them. Huangdi, according to myth, invented clothing, language, and marriage. After living for a hearty one hundred years, Huangdi was rewarded with immortality by the Jade Emperor (玉皇) after his death.

Huangdi forms the centre of the four directions and is represented in the night sky by the Big Dipper constellation. Not only is he considered to be the mythological representation of the centre of the universe, but he is also seen as the embodiment of pure light and goodness. Huangdi was the ideal model for emperors and aspiring ascetics.

Cangdi, the Green Emperor

Cangdi is the symbol of nature, specifically the forest and springtime. In Chinese mythology, he is a minor fertility god. In his animal form, he is presented as the famous Azure Dragon and, in his astral form, he is represented as the planet Jupiter. When he was a human, Cangdi’s name was Tàihào (太昊).

Heidi, the Black Emperor

Heidi is a fierce warrior god who embodies water and winter. He is represented in animal form as a pure black dragon and in the night sky by the planet, Mercury.

Chidi, the Red Emperor

Chidi is also known as the god, Shennong (神農), a deity credited with the invention of agriculture. The father of traditional Chinese medicine, Chidi was born on the banks of the Jiang River in what is modern-day Shaanxi province, southwest of the Qi Mountains around the year 28 BCE. Legends claimed he was born with the head of a bull and a transparent stomach.

Over the course of his life, Chidi utilized his transparent stomach to test the bodily effects of various plants which allowed him to compile an extensive almanac on medicinal herbs. He met an untimely death when he ate a toxic plant that caused his intestines to rupture before he was able to administer an antidote. As a reward for his selfless deeds, Chidi was given a place in the Jade Emperor’s heavenly court. He’s represented by the planet, Mars. And make use of an often violent rule, juxtaposed next to the benevolent founding figure of the Yellow Emperor.

Baidi, the White Emperor

As a human, Baidi was named Shǎohào (少昊). He was conceived after his mother watched a rainbow shooting star descend over the island where she lived. During his lifetime, Baidi took the island that he and his mother lived on and established a kingdom of birds. He nominated a Phoenix as his chancellor, a hawk as a judge, and a pigeon as his minister of education.

Baidi is a somewhat controversial figure since some texts, like the Tàishǐgōng Shū (太史公書), or Records of the Grand Historian do not contain any mention of him. It has been argued that the ancient librarian, Liú Xīn (劉歆), inserted Baidi into many historical records for political reasons, namely to justify the rule of the Han emperors. Baidi is represented by the planet, Venus, and, in some versions of the myth, his mother conceived him while gazing at this planet.

Popularity

The Wufang Shangdi are some of the most culturally significant deities in Chinese mythology since they represent the essence of Tian. It’s not uncommon to see shrines dedicated to the Wufang Shangdi in Chinese temples.

Huangdi and Chidi are arguably the most important of the five gods since they are considered to be the “fathers” of humanity. While all humans are supposedly descended from Huangdi, Chidi is the deity credited with giving them the tools and guidance they needed to farm and care for themselves. It is said that he authored the Shénnóng Běncao Jīng (神農本草經), or The Divine Farmer’s Herb-Root Classic, one of the first-ever almanacs classifying and describing the herbs used in Chinese medicine. Shennong also plays a significant role in the Yì Jīng (易經), or The Book of Changes.

The Yellow Emperor is the patron saint of acupuncturists and silk weavers and is the protagonist of Jorge Luis Borges’ story, The Fauna of the Mirror. Huangdi plays a key role in many works of classic literature. In fact, he is still a featured part of modern storytelling, including the 2016 film, Xuan Yuan: The Great Emperor, and the video game, Emperor: Rise of the Middle Kingdom.

賢 (ㄒㄧㄢˊ)  Senex

Historical

嵇康, Xi Kang
  • 老子 Lǎozǐ, author of 道德經 Dàodé Jīng
  • 孔夫子 Kǒng Fūzǐ, Confucius, founder of Confucianism
  • सिद्धार्थ गौतम Gautama Buddha, founder of Buddhism
  • Ἡράκλειτος ὁ Ἐφέσιος, Hērákleitos ho Ephésios
  • Σωκράτης Sōkrátēs
  • Πλάτων Plátōn
  • οἱ ἑπτὰ σοφοί hoi (hepta sophoi, Seven Sages of Greece)
    • Σόλων Sólōn, Solon of Athens
    • Χίλων ὁ Λακεδαιμόνιος, Chilon of Sparta
    • Θαλῆς (ὁ Μιλήσιος), Thalēs, Thales of Miletus
    • Βίας ὁ Πριηνεύς, Bias of Priene
    • Κλεόβουλος ὁ Λίνδιος, Kleoboulos ho Lindios, Cleobulus of Lindos
    • Πιττακός ὁ Μυτιλήνη, Mytilíni, Pittacus of Mitylene
    • Περίανδρος ὁ Κόρινθος, Kórinthos, Periander of Corinth
  • 竹林七賢 Zhúlín Qī Xián; Seven Sages of the Bamboo Grove
    • 阮籍; Ruǎn Jí
    • 嵇康, Xi Kang
    • 劉伶, Liu Ling
    • 山濤, Shan Tao
    • 阮咸, Ruan Xian
    • 向秀, Xiang Xiu
    • 王戎, Wang Rong
  • सप्तर्षि (saptarṣī), "seven sages"
  • नवरत्न (nava-ratna), or ‘nine gems’ Navaratnas
  • Abraham, Moses, and Solomon in Judeo-Christian tradition
  • פְּרִישַׁיָּא‎, "set apart, separated" the Rabbis (רב‎ rav), or תנאים,Tannaim (Sages) of Talmudic lore (תַּלְמוּד‎ Tálmūḏ)
    • יוחנן בן זכאי‎‎, Yohanan ben Zakkai
    • הִלֵּל‎ Hīllēl; Hillel I
    • שמאי, Shammai
  • 姜子牙, Jiāng Zǐyá, a genius and patient old man. He was well known as a legendary military strategist and the most famous Prime Minister of 周 the Zhou Dynasty of China.
  • 阮秉謙, Nguyễn Bỉnh Khiêm, also known as the White Cloud Hermit. He is a saint of 道高臺 (Đạo Cao Đài),the Cao Dai religion and the most prominent person of Vietnam history in the 16th century.
  • 戴满安, Ashin Jinarakkhita, also known as 師公 Sukong or Grandmaster, or Bhante Ashin, Tizheng Lao Heshang 體正老和尚,. He was an Indonesian Buddhist monk who was instrumental in the revival of Buddhism in Indonesia.
  • Zaraθuštra, "he who can manage camels" Zarathustra, اوستا the Persian Avestan sage with a dualist cosmology and theogony in perpetual tension between good and evil.

Mythology

Merlin instructing a young knight, from The Idylls of the King
  • Μέντωρ, Méntōr (Ὀδυσεύς, Ὀdysseús), in Greek mythology
  • Myrddin, Merlin from the Matter of Britain and the legends of King Arthur
  • Νέστωρ Γερήνιος, NestōrGerēnios, Nestor from Ἰλιάς, Iliás, Iliad
  • Τειρεσίας, Teiresias, Tiresias from (Ὀδυσεύς, Ὀdysseús), the Odyssey, Οἰδίπους Τύραννος, Oedipus Rex, and other Greek myths
  • 𒌓𒍣, Utnapishtim, from the Epic of 𒀭𒉋𒂵𒈩, Bilgamesh, Gilgamesh
  • Mímir, in Norse mythology
  • Χείρων "hand", Chiron from Ἰλιάς, Iliás, The Iliad
  • ᚢᚦᛁᚾ, Óðinn, Odin, in Norse mythology
  • 黃石公 'Yellow Rock Old Man' Huang Shigong, semi-mythological figure and Taoist hermit who gave 黃石公三略 (Huáng Shígōng Sān Lüè) the Three Strategies of Huang Shigong to 張良 Zhang Liang

Fictional

  • Albus Dumbledore, from Harry Potter
  • Gandalf, from The Lord of the Rings
  • Obi-Wan Kenobi and Yoda, from Star Wars
  • Iroh from Avatar: The Last Airbender
  • Alfred Pennyworth, from Batman
  • Mr Miyagi, from The Karate Kid
  • Master Oogway, from Kung Fu Panda
  • Rafiki, from The Lion King
  • Master Splinter, from Teenage Mutant Ninja Turtles
  • Dungeon Master, from Dungeons & Dragons

Reconciliatory Remembering

Being Present 一 Again & Anew 一
by means of:
  • letting go of the unilateral identification with the chthonic° body
  • reining in the emotional substrate
  • harmonizing with the One Self
  • Yellow Emperor vs Red Emperor°° or,
  • the transition from the Yellow to the Red Opus (in the reverse engineering of BCE times)
  • citrinitas, a yellowing or xanthosis, "yellowness" the solar dawn or awakening (䷲ 51, 震 (zhèn)), referred to "transmutation of silver into gold" or "yellowing of the lunar consciousness." It stood for the dawning of the "solar light" inherent in one's being, and that the reflective "lunar or soul light" was no longer necessary. For Carl Gustav Jung, citrinitas is Senex (賢人,ㄒㄧㄢˊ ㄖㄣˊ/君子,ㄐㄩㄣ ㄗˇ) the wise old man (or woman) archetype whose antithetical archetype, or enantiodromic opposite is the Puer Aeternus. XVIIII-XIX
  • rubedo, a reddening, purpling, or iosis, the Self archetype which has achieved wholeness. This stage entails the attempt of the alchemist to integrate the psychospiritual outcomes of the process into a coherent sense of self before its re-entry to the world. The stage can take some time or years to complete due to the required synthesis and substantiation of insights and experiences. In an archetypal schema, rubedo represents the Self archetype and is the culmination of the four stages, the merging of ego and Self. XXI

道德經: 第十章

載營魄抱一,能無離乎?
專氣致柔,能嬰兒乎?
滌除玄覽,能無疵乎?
愛民治國,能無知乎?
天門開闔,能為雌乎?
明白四達,能無知乎?
生之、畜之,生而不有,為而不恃,長而不宰,是謂玄德。*

(Possibilities through the Dao)

When the intelligent and animal souls are held together in one embrace, they can be kept from separating.
When one gives undivided attention to the (vital) breath and brings it to the utmost degree of pliancy, he can become as a (tender) babe.
When he has cleansed away the most mysterious sights (of his imagination), he can become without a flaw.
In loving the people and ruling the state, cannot he proceed without any (purpose of) action?
In the opening and shutting of his gates of heaven, cannot he do so as a female bird?
While his intelligence reaches in every direction, cannot he (appear to) be without knowledge?
(The Dao) produces (all things) and nourishes them; it produces them and does not claim them as its own; it does all, and yet does not boast of it; it presides over all and yet does not control them.
This is what is called 'The mysterious Quality' (of the Dao).

10

Can you control the restless physical-being and at the same time hold fast to the Oneness of the Universe?
Can you so regulate your breathing that it becomes soft and effortless like a child's?
Can you sponge away the dust from the surface of the Mysterious Mirror, leaving nothing obscure?**
Can you love the people and govern the country while remaining yourself unknown?
Can you, opening and shutting Nature's gates, remain passive, playing the woman's part?
Can you penetrate all quarters and understand all creatures, and yet not interfere?
Very well then: Quicken them, nourish them;
Give life to them, but make no claim on them;
Govern them, but do not be dependent on them;
Be chief among them, but do not order them about.
This is to use the Mysterious Power.

The soul's journey or "ascent" is described in such terms as "an ecstatic.., mystical or out-of-body experience, wherein the spiritual traveller leaves the physical body and travels in his/her subtle body (or dreambody or astral body) into ‘higher’ realms".

In the Myth of Er*** (Ἤρ, gen.: Ἠρός), particularly, Plato rendered an account of the afterlife which involved a journey through seven planetary spheres and then eventual reincarnation. He taught that man was composed of a mortal body, immortal reason and an intermediate "spirit".

The Myth of Er is the legend that concludes Plato's Republic (10.614–10.621). The story includes an account of the cosmos and the afterlife that greatly influenced religious, philosophical, and scientific thought for many centuries.

The story begins as a man named Er (/ɜːr/; Greek: Ἤρ, gen.: Ἠρός), son of Armenios (Ἀρμένιος), of Pamphylia dies in battle. When the bodies of those who died in the battle are collected, ten days after his death, Er remains undecomposed. Two days later he revives on his funeral-pyre and tells others of his journey in the afterlife, including an account of reincarnation and the celestial spheres of the astral plane. The tale includes the idea that moral people are rewarded and immoral people punished after death.

Although called the Myth of Er, the word "myth" means "word, speech, account", rather than the modern meaning. The word is used at the end when Socrates explains that because Er did not drink the waters of Lethe, the account (mythos in Greek) was preserved for us.

सूक्ष्म शरीर, sūkṣma śarīra

one of a series of psycho-spiritual constituents of living beings, according to various esoteric, occult, and mystical teachings. According to such beliefs each subtle body corresponds to a subtle plane of existence, in a hierarchy or great chain of being that culminates in the physical form.

The subtle body consists of focal points, often called chakras, connected by channels, often called nadis, that convey subtle breath (with names such as prana or vayu). These are understood to determine the characteristics of the physical body. Through breathing and other exercises, a practitioner may direct the subtle breath to achieve supernormal powers, immortality, or liberation.

According to yogic philosophy, humans have three bodies -- the physical, the astral and the causal -- which, together, are the vehicle of the soul. The astral body is more subtle than the physical body and it contains prana (life force), the senses and the mind.

In yoga, it is the astral body which contains prana and the system of nadis (energy channels) that carry prana. These are sometimes known as astral tubes.

Early Hinduism

Early concepts of the subtle body (सूक्ष्म शरीर sūkṣma śarīra) appeared in the Upanishads, including the Brhadaranyaka Upanishad and the Katha Upanishad. The Taittiriya Upanishad describes the theory of five koshas or sheaths², though these are not to be thought of as concentric layers, but interpenetrating at successive levels of subtlety:

  • The anna-maya ("food body", physical body, the grossest level),
  • The prana-maya (body made of vital breath or prana),
  • The mano-maya (body made of mind),
  • The vijñana-maya (body made of consciousness)
  • The ananda-maya (bliss body, the subtlest level).

Subtle internal anatomy included a central channel (nadi). In later Vedic texts called samhitas and brahmanas one also finds a theory of five "winds" or "breaths" (vayus, pranas):

  • Prāṇa, associated with inhalation
  • Apāna, associated with exhalation
  • Uḍāna, associated with the distribution of breath within the body
  • Samāna, associated with digestion
  • Vyāna, associated with excretion of waste

Later

A millennium later, these concepts were adapted and refined by various spiritual traditions. The similar concept of the Liṅga Śarīra is seen as the vehicle of consciousness in later Samkhya, Vedanta, and Yoga, and is propelled by past-life tendencies, or bhavas. Linga can be translated as "characteristic mark" or "impermanence" and the Vedanta term sarira as "form" or "mould". Karana or "instrument" is a synonymous term. In the Classical Samkhya system of Isvarakrsna (ca. 4th century CE), the Lińga is the characteristic mark of the transmigrating entity. It consists of twenty-five tattvas from eternal consciousness down to the five organs of sense, five of activity (buddindriya or jñānendriya, and karmendriya respectively) and the five subtle elements that are the objects of sense (tanmatras) The Samkhyakarika says:

The subtle body (linga), previously arisen, unconfined, constant, inclusive of the great one (mahat) etc, through the subtle elements, not having enjoyment, transmigrates, (because of) being endowed with bhavas ("conditions" or "dispositions"). As a picture (does) not (exist) without a support, or as a shadow (does) not (exist) without a post and so forth; so too the instrument (linga or karana) does not exist without that which is specific (i.e. a subtle body).

— Samkhyakarika, 60-81

The classical Vedanta tradition developed the theory of the five bodies into the theory of the koshas "sheaths" or "coverings" which surround and obscure the self (atman). In classical Vedanta, these are seen as obstacles to realization and traditions like Shankara's Advaita Vedanta had little interest in working with the subtle body.

Fourth Way

Subtle bodies are found in the "Fourth Way" teachings of Gurdjieff and Ouspensky, which claim that one can create a subtle body and hence achieve post-mortem immortality, through spiritual or yogic exercises. The "soul" in these systems is not something one is born with, but developed through esoteric practice to acquire complete understanding and to perfect the self. According to the historian Bernice Rosenthal, "In Gurdjieff's cosmology, our nature is tripartite and is composed of the physical (planetary), emotional (astral) and mental (spiritual) bodies; in each person one of these three bodies ultimately achieves dominance." The ultimate task of the fourth way teachings is to harmoniously develop the four bodies into a single way.

The Remorse of Orestes, where he is surrounded by the Erinyes, who were identified as chthonic beings, by William-Adolphe Bouguereau, 1862

& reinterpreted 一 actually


The Greek name Ὀρέστης, having become "Orestes" in Latin and its descendants, is derived from Greek ὄρος (óros, “mountain”) and ἵστημι (hístēmi, “to stand”), and so can be thought to have the meaning "stands on a mountain".⮀ ䷳ 52 艮  inner and outer trigrams are ☶ (艮 gèn) bound = (山) mountain.

In the Homeric telling of the story, Orestes is a member of the doomed house of Atreus which is descended from Tantalus and Niobe. Orestes is absent from Mycenae when his father, Agamemnon, returns from the Trojan War with the Trojan princess Cassandra as his concubine, and thus not present for Agamemnon's murder by Αἴγισθος (Aegisthus)3, the lover of his wife, Clytemnestra. Seven years later, Orestes returns from Athens and avenges his father's death by slaying both Aegisthus and his own mother Clytemnestra.

In the Odyssey, Orestes is held up as a favourable example to Telemachus, whose mother Penelope is plagued by suitors. He is the subject of several Ancient Greek plays and of various myths connected with his madness and purification, which retain obscure threads of much older ones.

Aeschylus

In Aeschylus's Eumenides, Orestes goes mad after the deed and is pursued by the Erinyes, whose duty it is to punish any violation of the ties of family piety. He takes refuge in the temple at Delphi; but, even though Apollo had ordered him to do the deed, he is powerless to protect Orestes from the consequences. At last, Athena receives him on the acropolis of Athens and arranges a formal trial of the case before twelve judges, including herself. The Erinyes demand their victim; he pleads the orders of Apollo. Athena votes last announcing that she is for acquittal; then the votes are counted and the result is a tie, resulting in an acquittal according to the rules previously stipulated by Athena. The Erinyes are propitiated by a new ritual, in which they are worshipped as "Semnai Theai", "Venerable Goddesses", and Orestes dedicates an altar to Athena Areia.

Orestes, Iphigeneia, and Pylades on a repoussé silver cup, Roman, first century (British Museum)

Euripides

As Aeschylus tells it, the punishment ended there, but according to Euripides, in order to escape the persecutions of the Erinyes, Orestes was ordered by Apollo to go to Tauris, carry off the statue of Artemis which had fallen from heaven, and to bring it to Athens. He went to Tauris with Pylades, and the pair were at once imprisoned by the people, among whom the custom was to sacrifice all Greek strangers to Artemis. The priestess of Artemis, whose duty it was to perform the sacrifice, was Orestes' sister Iphigenia. She offered to release him if he would carry home a letter from her to Greece; he refused to go, but bids Pylades to take the letter while he stays to be slain. After a conflict of mutual affection, Pylades at last yielded, but the letter brought about the recognition of brother and sister, and all three escaped together, carrying with them the image of Artemis.

Monday, January 4, 2021

Navigating the Navel & Loins Plexus
within ䷝ 離 (lí) the Yellow Emperor's Nef°

30 is "Ionisation", "Radiance" or "the clinging, fire" and "the net".

  • Its inner trigram is ☲ (離 lí) radiance = (火) fire, and its outer trigram is identical.
  • The origin of the character has its roots in symbols of long-tailed birds such as the peacock or the legendary phoenix.

मणिपूर Mani Pura

"Fear is the greatest destructive force to man's intelligence."

Edgar Cayce reading 101-1

Litany Against Fear

"I must not fear.
Fear is the mind-killer.
Fear is the little-death that brings total obliteration.
I will face my fear.
I will permit it to pass over me and through me.
And when it has gone past I will turn the inner eye to see its path.
Where the fear has gone there will be nothing. Only I will remain."


The phrase derives from William Shakespeare's Julius Caesar, “A coward dies a thousand times before his death, but the valiant taste of death but once. It seems to me most strange that men should fear, seeing that death, a necessary end, will come when it will come.”

An ancient form of the litany existed already during the Butlerian Jihad. A mantra of the City of Introspection went like this:

"I have no fear, for fear is the little-death that kills me over and over. Without fear, I die but once."

The version of the litany used in the time of Paul Muad'dib was believed to have originated with the Bene Gesserit, who themselves faced great dangers during their extensive training


Fear is the Mind-Killer

The sacral plexus is a nerve plexus a which provides motor and sensory nerves for the posterior thigh, most of the lower leg and foot, and part of the pelvis. It is part of the lumbosacral plexus and emerges from the lumbar vertebrae and sacral vertebrae (L4-S4)

The lumbar plexus is a web of nerves (a nervous plexus) in the lumbar region of the body which forms part of the larger lumbosacral plexus. It is formed by the divisions of the first four lumbar nerves (L1-L4) and from contributions of the subcostal nerve (T12), which is the last thoracic nerve. Additionally, the ventral rami of the fourth lumbar nerve pass communicating branches, the lumbosacral trunk, to the sacral plexus. The nerves of the lumbar plexus pass in front of the hip joint and mainly support the anterior part of the thigh.

The plexus is formed lateral to the intervertebral foramina and passes through psoas major. Its smaller motor branches are distributed directly to psoas major, while the larger branches leave the muscle at various sites to run obliquely down through the pelvis to leave under the inguinal ligament with the exception of the obturator nerve which exits the pelvis through the obturator foramen.

The cardiac plexus is a plexus of nerves situated at the base of the heart that innervates the heart.
The cardiac plexus is divided into a superficial part, which lies in the concavity of the aortic arch, and a deep part, between the aortic arch and the trachea. The two parts are, however, closely connected. The sympathetic component of the cardiac plexus comes from cardiac nerves, which originate from the sympathetic trunk. The parasympathetic component of the cardiac plexus originates from the cardiac branches of the vagus nerve.

Gray 838
The right sympathetic chain and its connections with the thoracic, abdominal, and pelvic plexuses (After Schwalbe)

The celiac plexus, also known as the solar plexus because of its radiating nerve fibres, is a complex network of nerves (a nerve plexus) located in the abdomen, near where the celiac trunk, superior mesenteric artery, and renal arteries branch from the abdominal aorta. It is behind the stomach and the omental bursa, and in front of the crura of the diaphragm, on the level of the first lumbar vertebra.

The plexus is formed in part by the greater and lesser splanchnic nerves of both sides, and fibres from the anterior and posterior vagal trunks.

The celiac plexus proper consists of the celiac ganglia with a network of interconnecting fibres. The aorticorenal ganglia are often considered to be part of the celiac ganglia, and thus, part of the plexus.

The celiac plexus includes a number of smaller plexuses:

Other plexuses that are derived from the celiac plexus:


The cervical plexus is a plexus of the anterior rami of the first four cervical spinal nerves which arise from C1 to C4 cervical segment in the neck. They are located laterally to the transverse processes between prevertebral muscles from the medial side and vertebral (m. scalenus, m. levator scapulae, m. splenius cervicis) from the lateral side. There is anastomosis with accessory nerve, hypoglossal nerve and sympathetic trunk.

It is located in the neck, deep to the sternocleidomastoid muscle. Nerves formed from the cervical plexus innervate the back of the head, as well as some neck muscles. The branches of the cervical plexus emerge from the posterior triangle at the nerve point, a point which lies midway on the posterior border of the sternocleidomastoid.

The cervical plexus has two types of branches: cutaneous and muscular.

  • Cutaneous (4 branches):
    • Greater occipital nerve - (C2, posterior ramus)
    • Lesser occipital nerve - innervates the skin and the scalp posterosuperior to the auricle (C2)
    • Great auricular nerve - innervates skin near concha auricle (outer ear) and external acoustic meatus (ear canal) (C2&C3)
    • Transverse cervical nerve - innervates anterior region of the neck (C2 and C3)
    • Supraclavicular nerves - innervate the skin above and below the clavicle (C3 and C4)
  • Muscular
    • Ansa cervicalis (This is a loop formed from C1-C3 which supplies the four infrahyoid aka strap muscles), etc. (thyrohyoid (C1 only), sternothyroid, sternohyoid, omohyoid)
    • Phrenic (C3-C5 (primarily C4))-innervates diaphragm and the pericardium
    • Segmental branches (C1-C4)- innervates anterior and middle scalenes

Additionally, there are two branches formed by the posterior roots of spinal nerves:

  • Preauricular nerve (from the posterior roots of C2–C3)
  • Postauricular nerve (from the posterior roots of C3–C4)

The brachial plexus is a network (plexus) of nerves (formed by the anterior rami of the lower four cervical nerves and first thoracic nerve (C5, C6, C7, C8 and T1). This plexus extends from the spinal cord, through the cervicoaxillary canal in the neck, over the first rib, and into the armpit. It supplies afferent and efferent nerve fibres to the chest, shoulder, arm, forearm, and hand.
The brachial plexus is divided into five roots, three trunks, six divisions (three anterior and three posterior), three cords, and five branches. There are five "terminal" branches and numerous other "pre-terminal" or "collateral" branches, such as the subscapular nerve, the thoracodorsal nerve, and the long thoracic nerve, that leave the plexus at various points along its length. A common structure used to identify the part of the brachial plexus in cadaver dissections is the M or W shape made by the musculocutaneous nerve, lateral cord, median nerve, medial cord, and ulnar nerve.

Sunday, January 3, 2021

 NLS° Configuration 9313020-21

(VIIII, XVIII & XXI the World*)

an absolutely pertinent 51/52 conjunction
& the 1st acceptance/consciousness of 62 as the mandorla of 56

|      南     | 
|  櫻桃樹 | 
|      衖    | 
|               | 
|               | 
黑鏡           |      桜     |        冬至    
 NEGRO        |      の     |                        
49 革 ䷰         |      門     |         ䷲ 震 51